{"id":37437,"date":"2010-09-19T17:40:02","date_gmt":"2010-09-19T15:40:02","guid":{"rendered":"http:\/\/www.visit-ulcinj.com\/blog\/?p=37437"},"modified":"2010-09-20T16:34:48","modified_gmt":"2010-09-20T14:34:48","slug":"haxhi-shabani-dhe-libri-jam-ai-qe-nuk-jam","status":"publish","type":"post","link":"https:\/\/www.visit-ulcinj.com\/blog\/2010\/09\/19\/haxhi-shabani-dhe-libri-jam-ai-qe-nuk-jam\/","title":{"rendered":"Haxhi Shabani dhe libri- Jam ai q\u00eb nuk jam – Video"},"content":{"rendered":"

\"\"<\/a>Tipologjia e poezis\u00eb s\u00eb Haxhi Shabanit<\/strong><\/p>\n

<\/strong>Poezia, si art i evokimit, gjuh\u00ebn e ka esenc\u00eb,\u00a0n\u00ebp\u00ebrmjet s\u00eb cil\u00ebs konstrukton imazhe, ndjenja,\u00a0mendime, emocione, tablo jet\u00ebsore, perceptime\u00a0p\u00ebr jet\u00ebn e metafizik\u00ebn. \u00cbsht\u00eb ligj\u00ebrimi\u00a0poetik i pazakont\u00eb, ajo gjuh\u00eb e figurshme e\u00a0konotuese, si tipar qen\u00ebsor i qenies s\u00eb let\u00ebrsis\u00eb,\u00a0ve\u00e7mas i poezis\u00eb, q\u00eb e b\u00ebn k\u00ebt\u00eb art t\u00eb ve\u00e7ant\u00eb.\u00a0Pra, gjuha duke qen\u00eb esenc\u00eb e komunikimit\u00a0poetik, kuptohet si nj\u00ebri nga tiparet m\u00eb t\u00eb\u00a0\u00e7mueshme, m\u00eb thelbore i artit t\u00eb poezis\u00eb.\u00a0Duke qen\u00eb e till\u00eb, ajo shprehjen poetike e p\u00ebrpunon\u00a0mjesht\u00ebrisht dhe e ngjesh me figura\u00a0stilistike t\u00eb ndryshme dhe i jep k\u00ebshtu tekstit\u00a0poetik karakter polisemantik. Pra, poezia si art\u00a0i evokimit lidhet pafund\u00ebsisht me figurat, me\u00a0gjuh\u00ebn q\u00eb krijohet nga modeli poetik i asociacionit\u00a0t\u00eb shenjave dhe simboleve, q\u00eb n\u00eb gjuh\u00ebn\u00a0poetike, krijojn\u00eb situata e imazhe emocionale\u00a0t\u00eb posa\u00e7me, duke sublimuar t\u00eb bukur\u00ebn dhe t\u00eb\u00a0k\u00ebndshmen (Horaci), brenda nj\u00eb qerthulli poetik\u00a0origjinal.<\/p>\n

1.Diskursi poetik
\n<\/strong>Poet me shije t\u00eb holl\u00eb artistike, me nj\u00eb leksik\u00a0t\u00eb ve\u00e7ant\u00eb q\u00eb vjen nga freskia e arom\u00ebs s\u00eb detit\u00a0dhe evokimeve p\u00ebr t\u00eb bukur\u00ebn, Haxhi Shabani\u00a0del para lexuesit shqiptar tanim\u00eb me p\u00ebrmbledhjen\u00a0e re poetike Jam ai q\u00eb nuk jam, p\u00ebrmbledhje\u00a0kjo q\u00eb t\u00eb ngashnjen me tiparet stilistike e\u00a0gjuh\u00ebsore, q\u00eb kan\u00eb burimin nga deti dhe jan\u00eb t\u00eb\u00a0p\u00ebrpunuara n\u00eb laboratorin krijues, t\u00eb nj\u00eb poeti\u00a0t\u00eb frym\u00ebzuar.\u00a0Filozofia poetike e autorit Haxhi Shabani \u00ebsht\u00eb\u00a0e nd\u00ebrtuar p\u00ebrmes nj\u00eb strukturimi poetik q\u00eb e\u00a0dyzon tok\u00ebsoren me metafizik\u00ebn, duke e\u00a0shp\u00ebrqendruar tekstin nga ligj\u00ebrimi i drejtp\u00ebrdrejt\u00eb,\u00a0n\u00eb at\u00eb implicit, ku godit\u00ebse jan\u00eb metaforat\u00a0e krahasimet e zgjedhura, sikur q\u00eb del te\u00a0poezia Ndjenja , n\u00eb t\u00eb cil\u00ebn shp\u00ebrfaqen\u00a0fuqish\u00ebm klithmat poetike autoriale, karshi\u00a0furtunave t\u00eb jet\u00ebs e sfidave t\u00eb poezis\u00eb: Si nj\u00eb\u00a0rrebesh shiu\/ Si nj\u00eb furtun\u00eb ere\/ Hyre n\u00eb mua\/\u00a0Duke v\u00ebn\u00eb pesh\u00ebn t\u00ebnde t\u00eb leht\u00eb mbi mua\/ M\u00eb\u00a0thoshe\/ S\u2019ka gj\u00eb m\u00eb t\u00eb bukur\/ Dhe ike. Ky tip\u00a0i diskursit lirik p\u00ebrshkon poezin\u00eb fuqish\u00ebm,\u00a0nd\u00ebrkaq del n\u00eb nj\u00eb instanc\u00eb poetike, te poezia\u00a0Magji , n\u00eb vargjet e s\u00eb cil\u00ebs, transfigurohet n\u00eb\u00a0lirik\u00eb, nj\u00eb gjendje poetike e tendosur, q\u00eb\u00a0k\u00ebrkon shp\u00ebrthimin, at\u00eb katharsisn shpirt\u00ebror\u00a0aristotelian, q\u00eb prehjen e gjen m\u00eb s\u00eb miri te\u00a0poezia, te amshueshm\u00ebria e fjal\u00ebve: O sa kam\u00a0nevoj\u00eb t\u00eb braktis\/ Burgun e nj\u00ebtrajtshm\u00ebris\u00eb\/\u00a0Burgun e p\u00ebrditshm\u00ebris\u00eb\/ T\u00eb pushtohem nga\u00a0liria e magjis\u00eb. Dhe kjo liri e magjis\u00eb, si\u00a0k\u00ebrkim lirik, \u00ebsht\u00eb sublimim i p\u00ebrceptimit p\u00ebr\u00a0dashurin\u00eb (femr\u00ebn) dhe lirin\u00eb universale, si\u00a0frym\u00ebmarrje p\u00ebr jet\u00eb, si inspirim p\u00ebr poezi e\u00a0\u00e7ka jo tjet\u00ebr. S\u00eb k\u00ebndejmi, autori bukur do t\u2019 i\u00a0k\u00ebndoj\u00eb gruas te vjersha Flo\u00e7k\u00eb deti, grua\u00a0toke: S\u2019i lidh flok\u00ebt\/ i l\u00eb t\u00eb jetojn\u00eb\/ n\u00eb gjat\u00ebsin\u00eb\u00a0e dendurin\u00eb e tyre\/ Ti Flo\u00e7k\u00eb Deti, sydet\u00a0moj. Nj\u00eb modus t\u00eb till\u00eb lirik\u00eb, t\u00eb fuqish\u00ebm\u00a0dhe thell\u00ebsisht inspirues, e gjejm\u00eb edhe te\u00a0poezia tjet\u00ebr, Ve\u00e7 me sy, n\u00eb t\u00eb cil\u00ebn poeti\u00a0p\u00ebrmes nj\u00eb tablo dashurie, shkrin ndjenjat e\u00a0tij poetike p\u00ebr aktin erotik, duke lart\u00ebsuar\u00a0at\u00eb me p\u00ebrjetshm\u00ebrin\u00eb e fjal\u00ebs s\u00eb brumosur\u00a0me figura t\u00eb gjetura stilistike. Perceptimet\u00a0poetike t\u00eb autorit p\u00ebr dashurin\u00eb jan\u00eb t\u00eb zjarrta.\u00a0Ai Edhe symbyllur e sheh objektin e tij\u00a0letrar, qenien fem\u00ebr, e p\u00ebrfytyrimi p\u00ebr at\u00eb,\u00a0\u00ebsht\u00eb i zjarrt\u00eb, shp\u00ebrthyes. Ai e sheh edhe\u00a0kur nuk e ka pran\u00eb, brenda nj\u00eb hap\u00ebsire\u00a0gjeografike q\u00eb shk\u00eblqen me pamjen e detit\u00a0dhe figurat e mrekullueshme poetike q\u00eb\u00a0dalin nga gjiri i tij her\u00eb i qet\u00eb e her\u00eb i tendosur.\u00a0Prandaj, at\u00ebher\u00eb kur jan\u00eb t\u00eb portokallt\u00eb\u00a0dielli e h\u00ebna, n\u00eb muzgun e detit, ai p\u00ebrjeton\u00a0dashurin\u00eb deri n\u00eb amshueshm\u00ebri, p\u00ebr t\u00eb lindur\u00a0nj\u00eb djal\u00eb e nj\u00eb vajz\u00eb, t\u00eb krahasuar me\u00a0diell e h\u00ebn\u00eb, te poezia me t\u00eb nj\u00ebjtin titull.\u00a0Me nj\u00eb trajtshm\u00ebri tjet\u00ebr topike, ky model\u00a0ligj\u00ebrimi shp\u00ebrfaqet te poezia Ha trurin tim,\u00a0ku objekti zhvendoset n\u00eb dimensionet\u00a0metafizike t\u00eb k\u00ebrkimeve letrare, p\u00ebr gjetjen\u00a0e identitetit, si shenj\u00eb dhe sh\u00ebnjues t\u00eb k\u00ebsaj\u00a0poezie, si k\u00ebrkime autoriale karshi tekstit e\u00a0kontekstit. P\u00ebr t\u00eb sforcuar k\u00ebt\u00eb tip t\u00eb diskursit\u00a0lirik, autori k\u00ebrkon gjurm\u00ebt q\u00eb e mb\u00ebshtesin\u00a0drejtpeshimin e tij n\u00eb koh\u00eb e hap\u00ebsir\u00eb,\u00a0si domosdo: Un\u00eb hyj n\u00eb trurin tim\/ n\u00eb at\u00eb\u00a0mas\u00eb t\u00eb zorrt\u00eb e t\u00eb pist\u00eb\/ me d\u00ebshir\u00eb q\u00eb t\u00eb v\u00eb\u00a0n\u00eb vend\/ d\u00ebrras\u00ebn q\u00eb e kam mangut\/k\u00ebrkoj\u00a0gozhdat p\u00ebr gozhdim\/ ato jan\u00eb shtremb\u00ebruar\/\u00a0jan\u00eb ndryshkur.\u00a0Nj\u00eb poezi interesante, ku del n\u00eb pah dufi dhe\u00a0shpirti i pasionuar i Haxhi Shabanit pas t\u00eb\u00a0bukur\u00ebs dhe fjal\u00ebs poetike, \u00ebsht\u00eb vjersha q\u00eb\u00a0poeti i kushton Lasgush Poradecit, me titull\u00a0I paduksh\u00ebm p\u00ebr t\u00eb padukshmit. Si \u00e7do\u00a0poezi kushtimi, edhe kjo, bart n\u00eb vete emocionin\u00a0e adhurimit, mir\u00ebpo jo duke r\u00ebn\u00eb teksti\u00a0lirik n\u00eb retorik\u00eb fjal\u00ebsh, p\u00ebrkundrazi\u00a0adhurimi dhe dashuria p\u00ebr poetin, b\u00ebhen\u00a0shtyt\u00ebse p\u00ebr t\u00eb nd\u00ebrtuar trupin e nj\u00eb poezie,\u00a0e cila sintetizon shum\u00eb dimensione semantike\u00a0dhe nj\u00ebher\u00ebsh shpreh intencionalitetin\u00a0tekstor t\u00eb autorit, si projeksion kulturor e\u00a0letrar. N\u00eb k\u00ebt\u00eb vjersh\u00eb, ndjehet nj\u00eb fuqi stigmatizuese\u00a0p\u00ebr p\u00ebrbuz\u00ebsit e poetit, p\u00ebr ata q\u00eb\u00a0indiferenc\u00ebn e kthejn\u00eb n\u00eb norm\u00eb, e k\u00ebshtu\u00a0p\u00ebrmbysin poetin e madh\u00ebrish\u00ebm, t\u00eb\u00a0dashurin e autorit: Duhet t\u00eb jesh\u00a0m\u00ebrzitur\/Tmerr\u00ebsisht duhet t\u00eb jesh m\u00ebrzitur\/\u00a0N\u00eb qet\u00ebsin\u00eb e liqenit\/ N\u00eb plot\u00ebnin\u00eb dhe\u00a0zbraz\u00ebtin\u00eb e tij\/ Nuk kam par\u00eb liqe me faqe\u00a0aq t\u00eb qeta\/ Un\u00eb n\u00eb qytetin t\u00ebnd t\u00eb lindjes\/ T\u00eb\u00a0k\u00ebrkoj\/ Por ata q\u00eb i pyes\/ ty sht\u00ebpin\u00eb sakt\u00ebsisht\u00a0nuk ta din\u00eb\/ Thon\u00eb atje dikund\/ Duhet\u00a0t\u00eb jet\u00eb\/ Duke u rind\u00ebrtuar \u00ebsht\u00eb\/ Duhet t\u00eb jesh\u00a0shastisur. Nd\u00ebrkaq, ligj\u00ebrimi poetik, duke\u00a0stigmatizuar indiferenc\u00ebn, thur lavdin\u00eb p\u00ebr\u00a0poetin, ngase ai mbetet I paduksh\u00ebm, por jo\u00a0p\u00ebr t\u00eb dukshmit, por p\u00ebr t\u00eb padukshmit, k\u00ebshtu\u00a0teksti lirik konstituon nj\u00eb gjendje ideore\u00a0poetike t\u00eb triumfit, i vet\u00ebdijsh\u00ebm se poeti\u00a0\u00ebsht\u00eb n\u00eb lart\u00ebsi dhe thell\u00ebsi, aty ku t\u00eb padukshmit\u00a0nuk mund t\u00eb nuhasin e shohin. Thell\u00ebsit\u00eb\u00a0jan\u00eb t\u00eb thella\/ Nuk gjenden n\u00eb cektin\u00eb\/ Prandaj\u00a0mos u m\u00ebrzit .
\n\"\"<\/a><\/p>\n

2. Motivet e detit<\/strong> <\/strong><\/p>\n

Nj\u00eb nd\u00ebr tiparet me karakteristike t\u00eb poezis\u00eb s\u00eb\u00a0Haxhi Shabanit \u00ebsht\u00eb prania e p\u00ebrhershme e\u00a0detit, n\u00eb variacione t\u00eb ndryshme, si topik\u00eb dhe\u00a0ligj\u00ebrim i brendsh\u00ebm poetik, pra, jan\u00eb motivet\u00a0e detit q\u00eb sublimojn\u00eb t\u00eb bukur\u00ebn, harmonin\u00eb,\u00a0t\u00eb p\u00ebrhershmen, madh\u00ebshtin\u00eb, ato elemente\u00a0q\u00eb e p\u00ebrshkojn\u00eb poezin\u00eb si tematik\u00eb dhe\u00a0ligj\u00ebrim. N\u00eb t\u00eb v\u00ebrtet\u00eb, teksti poetik i Haxhi\u00a0Shabanit, duke pasur nj\u00eb sistem t\u00eb till\u00eb poetik\u00a0t\u00eb konfigurimit, b\u00ebhet dinamik, me nj\u00eb shprehje\u00a0t\u00eb kondenzuar poetike, me drith\u00ebrima\u00a0vibruese e q\u00eb p\u00ebrshkohen mjesht\u00ebrisht nga\u00a0inspirimi i subjektit poetik karshi objektit.\u00a0Poezia e Shabanit \u00ebsht\u00eb e brumosur fund e\u00a0krye me motive deti dhe k\u00ebto motive konotojn\u00eb\u00a0gjithashtu fuqish\u00ebm n\u00eb dimensionet\u00a0semantike dhe stilistike t\u00eb k\u00ebsaj poezie, e\u00a0pasurojn\u00eb tekstin poetik me nj\u00eb sistem figurativ\u00a0interesant, q\u00eb thith mjesht\u00ebrisht l\u00ebnd\u00ebn e\u00a0pasur t\u00eb detit, me nj\u00eb leksik t\u00eb p\u00ebrzgjedhur\u00a0poetik q\u00eb funksionalizon k\u00ebto shenja poetike\u00a0n\u00eb gjith\u00eb trupin e k\u00ebsaj poezie, sepse kjo\u00a0frym\u00eb, e p\u00ebrshkon at\u00eb si Er\u00eb Maestrali dhe pa\u00a0t\u00eb autori predestinohet t\u00eb mos frymoj\u00eb,\u00a0nd\u00ebrkaq poezia e tij, t\u00eb mbetet pa l\u00ebngun e\u00a0nevojsh\u00ebm, pa frym\u00ebn e inspirimit: Pa k\u00ebt\u00eb\u00a0er\u00eb\/Mendimet do t\u2019m\u00eb ishin ngrir\u00eb. N\u00eb t\u00eb\u00a0v\u00ebrtet\u00eb, jan\u00eb pra tiparet e detit, si shenj\u00eb e\u00a0sh\u00ebnjues t\u00eb k\u00ebsaj poezie, q\u00eb tekstit poetik i\u00a0japin nj\u00eb konotim universal n\u00eb koh\u00eb, nd\u00ebrkaq\u00a0shprehjen poetike e b\u00ebjn\u00eb dinamike, emocionin\u00a0m\u00eb shp\u00ebrthyes, gjuh\u00ebn m\u00eb subtile,\u00a0sikur ta z\u00ebm\u00eb tek variantet lirike t\u00eb vargjeve\u00a0Shi n\u00eb bregdet, ku autori k\u00ebndon bukur:\u00a0Zgjohen her\u00ebt n\u00eb brigjet e Bun\u00ebs\/ Lajn\u00eb\u00a0kok\u00ebn me uj\u00eb t\u00eb \u00ebmb\u00ebl\/ Shpupurishin r\u00ebr\u00ebn\u00a0me nxitim\/ Dhe ngrihen n\u00eb qiell. (Pul\u00ebbardhat\u00a0e qytetit). K\u00ebt\u00eb model t\u00eb diskursit lirik, e\u00a0gjejm\u00eb edhe te poezia Kushtesa, n\u00eb t\u00eb cil\u00ebn,\u00a0Ulqini nuk \u00ebsht\u00eb vet\u00ebm simbol i poezis\u00eb, por\u00a0nj\u00eb kodeks kulturor, nj\u00eb kushtes\u00eb q\u00eb\u00a0dhemb, si nj\u00eb reminishenc\u00eb e nj\u00eb kujtese t\u00eb\u00a0trisht\u00eb, n\u00ebp\u00ebr t\u00eb cil\u00ebn zhb\u00ebrja ishte e madhe,\u00a0prandaj k\u00ebrkimet identitare jan\u00eb t\u00eb forta.\u00a0Nga ky kontekst, poeti shprehet: N\u00eb Mol\u00a0t\u00eb Madh\/ N\u00eb Mol t\u00eb Vog\u00ebl\/ Duke d\u00ebnesur, ju\u00a0thoshte\/ Ky \u00ebsht\u00eb Zoti im. N\u00eb poezin\u00eb e\u00a0Shabanit ndjehet fuqish\u00ebm tendenca p\u00ebr t\u00eb\u00a0transfiguruar n\u00eb vargje jet\u00ebn e bukur t\u00eb\u00a0detit, mrekullit\u00eb e tij, t\u00eb simbolizuara n\u00eb\u00a0Ulqinin e dashur t\u00eb tij poetik, ku e bukura\u00a0p\u00ebrjet\u00ebsohet n\u00eb pafund\u00ebsit\u00eb e p\u00ebrjetshme\u00a0dhe krahasimet q\u00eb gjen autori n\u00eb poezin\u00eb E\u00a0marta e Parisit, e marta e Ulqinit, nd\u00ebrkaq\u00a0teksti poetik rr\u00ebshqet n\u00eb dimensionet\u00a0intelektuale, e poeti portretizon Parisin e\u00a0poezis\u00eb, n\u00eb Parisin e librit, aty ku: Poet\u00ebt\u00a0kishin projektuar\/ m\u00eb shum\u00eb se nj\u00eb shekull\u00a0m\u00eb par\u00eb\/ sht\u00ebpin\u00eb e librit.<\/p>\n

<\/strong><\/p>\n

Ndue Ukaj
\nKoha Javore
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tipologjia e poezis\u00eb s\u00eb Haxhi Shabanit Poezia, si art i evokimit, gjuh\u00ebn e ka esenc\u00eb,\u00a0n\u00ebp\u00ebrmjet s\u00eb cil\u00ebs konstrukton imazhe, ndjenja,\u00a0mendime, emocione, tablo jet\u00ebsore, perceptime\u00a0p\u00ebr jet\u00ebn e metafizik\u00ebn. \u00cbsht\u00eb ligj\u00ebrimi\u00a0poetik i pazakont\u00eb, ajo gjuh\u00eb e figurshme e\u00a0konotuese, si tipar qen\u00ebsor i qenies s\u00eb let\u00ebrsis\u00eb,\u00a0ve\u00e7mas i poezis\u00eb, q\u00eb e b\u00ebn k\u00ebt\u00eb art t\u00eb ve\u00e7ant\u00eb.\u00a0Pra, gjuha duke qen\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[14249],"tags":[211,15405,12179],"jetpack_publicize_connections":[],"yoast_head":"\nHaxhi Shabani dhe libri- Jam ai q\u00eb nuk jam - 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