{"id":62005,"date":"2012-06-30T18:47:04","date_gmt":"2012-06-30T17:47:04","guid":{"rendered":"http:\/\/www.visit-ulcinj.com\/blog\/?p=62005"},"modified":"2012-06-30T20:03:52","modified_gmt":"2012-06-30T19:03:52","slug":"ali-salaj-filmi-kosovar-ne-kerkim-te-identitetit","status":"publish","type":"post","link":"https:\/\/www.visit-ulcinj.com\/blog\/2012\/06\/30\/ali-salaj-filmi-kosovar-ne-kerkim-te-identitetit\/","title":{"rendered":"Ali Salaj: Filmi kosovar ne kerkim te identitetit"},"content":{"rendered":"

\"\"<\/a>Me rastin e Jav\u00ebs s\u00eb Filmit Kosovar n\u00eb Ulqin
\nN\u00eb k\u00ebrkim t\u00eb identitetit
\n<\/strong>
\nTradita e pak\u00ebt e filmit kosovar e sidomos numri i vog\u00ebl i filmave t\u00eb xhiruar, nuk ofrojn\u00eb mund\u00ebsi p\u00ebr t\u00eb krijuar nj\u00eb tipologji t\u00eb p\u00ebrshtatshme p\u00ebr k\u00ebt\u00eb kinematografi, por mund t\u00eb gjejm\u00eb drejtime, rrjedha ose tendenca ideore dhe stilistike, t\u00eb cilat paraqiten m\u00eb shpesh n\u00eb forma t\u00eb sinkretizuara. Edhe pse tradita n\u00eb film nuk \u00ebsht\u00eb \u00e7doher\u00eb vendimtare, sepse si\u00e7 thot\u00eb historiani i njohur i filmit Andre Bazeni \u201cperiudha pes\u00ebvje\u00e7are n\u00eb film \u00ebsht\u00eb e barabart\u00eb me periudh\u00ebn e nj\u00eb gjenerate n\u00eb let\u00ebrsi\u201d, megjithat\u00eb, xhirimi i pak\u00ebt i filmave n\u00eb Kosov\u00eb ishte pasoj\u00eb e kushteve t\u00eb v\u00ebshtira materiale, jo vet\u00ebm n\u00eb aspektin financiar por edhe n\u00eb at\u00eb teknologjik. K\u00ebsisoj, zhvillimi i ngadalsh\u00ebm dhe i vonuar i kinematografis\u00eb ka ndikuar q\u00eb ajo t\u00eb mbes\u00eb n\u00eb periferi t\u00eb kinematografis\u00eb n\u00eb rajon dhe e kufizuar n\u00eb aspektin e gjuh\u00ebs filmike sepse me nj\u00eb film t\u00eb xhiruar n\u00eb \u00e7do dy vjet, asnj\u00eb regjisor nuk ka patur guximin dhe lirin\u00eb t\u00eb performoj\u00eb qasje origjinale dhe eksperimentale. N\u00eb k\u00ebt\u00eb kuad\u00ebr ka ndikuar shum\u00eb censura dhe autocensura q\u00eb e paralizuan krijuesin duke l\u00ebn\u00eb plag\u00eb t\u00eb theksuara n\u00eb kinematografin\u00eb kosovare. P\u00ebr k\u00ebt\u00eb arsye, n\u00eb kinematografin\u00eb kosovare nuk hasim drejtime, faza apo trende, si\u00e7 i kan\u00eb kinematografit\u00eb e zhvilluara n\u00eb vendet e tjera, si\u00e7 jan\u00eb: \u201cVala e re\u201d (Franc\u00eb), \u201cFilmi i lir\u00eb\u201d (Angli), \u201cNeorealizmi\u201d (Itali) etj.
\nKinematografia e mir\u00ebfillt\u00eb kosovare fillon me filmat \u201cKur pranvera vonohet\u201d dhe \u201c Gjurm\u00eb t\u00eb bardha\u201d t\u00eb Ekrem Kryeziut, ku hetohet k\u00ebrkimi poetik i regjisorit drejt krijimeve m\u00eb t\u00eb avancuara filmike. Edhe pse me nj\u00eb gjuh\u00eb konvencionale t\u00eb realizmit, Kryeziu krijoi nj\u00eb z\u00eb autokton, origjinal dhe t\u00eb ve\u00e7ant\u00eb, pa u b\u00ebr\u00eb rob i folklorizmit. Mir\u00ebpo, disa filma n\u00eb vazhdim nuk e ruajn\u00eb p\u00ebrvoj\u00ebn e krijuar, por p\u00ebrkundrazi kufizohen n\u00eb ide dhe shprehje t\u00eb nj\u00ebtrajtshme.
\nNj\u00eb etap\u00eb e re n\u00eb kinematografin\u00eb kosovare fillon me filmin \u201cNjeriu prej dheu\u201d t\u00eb Agim Sopit, p\u00ebr t\u00eb vazhduar me nj\u00eb gjuh\u00eb edhe m\u00eb t\u00eb fuqishme me \u201cProk\u00ebn\u201d dhe \u201cRojet e mjegull\u00ebs\u201d t\u00eb Isa Qosjes, si dhe \u201cEra e moll\u00ebs\u201d t\u00eb Emin Halilit. N\u00eb k\u00ebto filma thellohet n\u00ebnteksti, kristalizohen figurat, metafora, simboli dhe n\u00eb p\u00ebrgjith\u00ebsi shprehja meditative. N\u00eb k\u00ebto filma personazhi nxirret nga forma sinoptike p\u00ebr t\u2019u thelluar n\u00eb bot\u00ebn e tij psikologjike dhe emocionale. K\u00ebto filma pat\u00ebn nj\u00eb ndikim te shikuesi tradicional duke e edukuar at\u00eb p\u00ebr nj\u00eb vrojtim dhe komunikim t\u00eb ri. Edhe n\u00eb aspektin stilistik dhe teknologjik, k\u00ebto vepra filmike nd\u00ebrtohen bukur dhe n\u00eb m\u00ebnyr\u00eb origjinale, si\u00e7 \u00ebsht\u00eb p\u00ebrpunimi i kuadrit, l\u00ebvizjet e kamer\u00ebs, loja e aktor\u00ebve, linja e narracionit etj.
\nMe administrimin e dhunsh\u00ebm t\u00eb \u201cKosovafilmit\u201d nga pushteti serb, filmi kosovar, si \u00e7do veprimtari tjet\u00ebr, veproi n\u00eb ilegalitet. N\u00eb k\u00ebt\u00eb periudh\u00eb dominoi filmi amator q\u00eb nuk i p\u00ebrmbushte as kriteret m\u00eb elementare t\u00eb nj\u00eb vepre kinematografike. Kjo periudh\u00eb vazhdoi deri me \u00e7lirimin e Kosov\u00ebs, ku filmit iu kthyen disa regjisor\u00eb t\u00eb njohur (Isa Qosja, Agim Sopi), por u paraqiten edhe regjisor\u00eb t\u00eb rinj q\u00eb soll\u00ebn nj\u00eb freski n\u00eb kinematografin\u00eb kosovare (Blerta Zeqiri, Jeton Ahmetaj, Bledar Bujupi) etj. Megjithat\u00eb, kinematografia kosovare mbetet gjithnj\u00eb n\u00eb k\u00ebrkim t\u00eb identitetit t\u00eb vet.<\/p>\n

Ali Salaj<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Me rastin e Jav\u00ebs s\u00eb Filmit Kosovar n\u00eb Ulqin N\u00eb k\u00ebrkim t\u00eb identitetit Tradita e pak\u00ebt e filmit kosovar e sidomos numri i vog\u00ebl i filmave t\u00eb xhiruar, nuk ofrojn\u00eb mund\u00ebsi p\u00ebr t\u00eb krijuar nj\u00eb tipologji t\u00eb p\u00ebrshtatshme p\u00ebr k\u00ebt\u00eb kinematografi, por mund t\u00eb gjejm\u00eb drejtime, rrjedha ose tendenca ideore dhe stilistike, t\u00eb cilat paraqiten […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[4,1],"tags":[4995,212,200],"jetpack_publicize_connections":[],"yoast_head":"\nAli Salaj: Filmi kosovar ne kerkim te identitetit - Lajme nga Ulqini<\/title>\n<meta name=\"description\" content=\"Me rastin e Jav\u00ebs s\u00eb Filmit Kosovar n\u00eb Ulqin N\u00eb k\u00ebrkim t\u00eb identitetit Tradita e pak\u00ebt e filmit kosovar e sidomos numri i vog\u00ebl i filmave t\u00eb xhiruar, nuk\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.visit-ulcinj.com\/blog\/2012\/06\/30\/ali-salaj-filmi-kosovar-ne-kerkim-te-identitetit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ali Salaj: Filmi kosovar ne kerkim te identitetit - 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