{"id":84812,"date":"2014-08-30T16:47:40","date_gmt":"2014-08-30T15:47:40","guid":{"rendered":"http:\/\/www.visit-ulcinj.com\/blog\/?p=84812"},"modified":"2014-08-30T18:25:33","modified_gmt":"2014-08-30T17:25:33","slug":"salaj-veshtrim-per-nje-liber-qe-merret-kinematografine","status":"publish","type":"post","link":"https:\/\/www.visit-ulcinj.com\/blog\/2014\/08\/30\/salaj-veshtrim-per-nje-liber-qe-merret-kinematografine\/","title":{"rendered":"Salaj: V\u00ebshtrim p\u00ebr nj\u00eb lib\u00ebr q\u00eb merret me kinematografin\u00eb"},"content":{"rendered":"

Edukim i recipientit p\u00ebrmes shosh\u00ebs s\u00eb kritikut<\/strong><\/p>\n

(Ali Salaj, N\u00eb mbret\u00ebrin\u00eb e imazheve, Art Club, Ulqin 1996)<\/p>\n

\"Ali-Salaj-imazhet\"<\/a><\/p>\n

\u00a0<\/strong><\/p>\n

Ali Salaj \u00ebsht\u00eb nd\u00ebr pioner\u00ebt e kritik\u00ebs shqiptare t\u00eb filmit n\u00eb Kosov\u00eb. Ai, megjith\u00ebse ka mbaruar studimet p\u00ebr Let\u00ebrsi dhe gjuh\u00eb shqipe, shkruan si dikush q\u00eb ka njohuri profesionale t\u00eb mjaftueshme p\u00ebr estetik\u00ebn dhe historin\u00eb e filmit. Kur shkruan ka para sysh nj\u00eb recipient jo shum\u00eb t\u00eb informuar p\u00ebr teorin\u00eb dhe historin\u00eb e filmit, prandaj n\u00eb v\u00ebshtrimet e veta ai gjithmon\u00eb nd\u00ebrfut t\u00eb dh\u00ebna interesante q\u00eb e edukojn\u00eb konsumuesin dhe i zgjerojn\u00eb njohjet e tij p\u00ebr k\u00ebt\u00eb art. Spikasin guximi dhe maturia e tij gjat\u00eb dh\u00ebnies s\u00eb gjykimit, por tipar i tij \u00ebsht\u00eb edhe q\u00eb, pa marr\u00eb para sysh entuziazmin p\u00ebr ndonj\u00eb film t\u00eb realizuar mir\u00eb, nuk e hesht ndonj\u00eb \u201cgabim naiv\u201d, natyrisht, duke pasur kujdes etik\u00ebn e fjal\u00ebs dhe intonacionin q\u00eb duhet t\u00eb ket\u00eb qortimi (i argumentuar) brenda tekstit. <\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Anton Goj\u00e7aj<\/strong><\/p>\n

 <\/p>\n

Ali Salaj q\u00eb nga fillimi i vitit 2002 e ushtron detyr\u00ebn e redaktorit p\u00ebrgjegj\u00ebs t\u00eb gazet\u00ebs \u201cKoha javore\u201d, e cila botohet n\u00eb Podgoric\u00eb, n\u00eb gjuh\u00ebn shqipe. Mir\u00ebpo, karrier\u00ebn e vet n\u00eb gazetari ai e ka filluar q\u00eb n\u00eb vitet tet\u00ebdhjet\u00eb t\u00eb shekullit t\u00eb kaluar n\u00eb fush\u00ebn e kultur\u00ebs, m\u00eb sakt\u00ebsisht \u2013 si kritik i filmit, s\u00eb pari n\u00eb Radion e pastaj edhe n\u00eb Televizionin e Prishtin\u00ebs. Ky fakt e sqaron p\u00ebrse n\u00eb librin e tij t\u00eb par\u00eb (dhe deri tani t\u00eb vet\u00ebm) trajtohen \u00e7\u00ebshtje q\u00eb lidhen me bot\u00ebn e filmit. \u201cN\u00eb mbret\u00ebrin\u00eb e imazheve\u201d (Ulqin 1995) \u00ebsht\u00eb nj\u00eb p\u00ebrmbledhje e shkrimeve q\u00eb m\u00eb par\u00eb jan\u00eb botuar n\u00eb periodikun e koh\u00ebs. Ato shtjellojn\u00eb tematika q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me filmin artistik dhe at\u00eb dokumentar. Autori n\u00eb fillim b\u00ebn nj\u00eb retrospektiv\u00eb t\u00eb shkurt\u00ebr t\u00eb filmit n\u00eb Kosov\u00eb, duke konstatuar shfaqjen e tij t\u00eb vonuar dhe zhvillimin e ngadalsh\u00ebm, por n\u00eb rrethana objektivisht t\u00eb v\u00ebshtira, qoft\u00eb p\u00ebr shkaqe financiare-materiale (sepse filmi \u00ebsht\u00eb nj\u00eb art \u201ci shtrenjt\u00eb\u201d), qoft\u00eb p\u00ebr rrethanat politiko-shoq\u00ebrore delikate q\u00eb e karakterizuan at\u00eb koh\u00eb (gjysm\u00ebn e dyt\u00eb t\u00eb shekullit XX), n\u00eb Kosov\u00eb.<\/p>\n

Filmi \u00ebsht\u00eb nj\u00eb art kolektiv, q\u00eb realizohet p\u00ebrmes bashk\u00ebpunimit t\u00eb organizuar t\u00eb shum\u00eb personave (profesionist\u00eb) dhe n\u00eb t\u00eb cilin g\u00ebrshetohen arte t\u00eb ndryshme: let\u00ebrsia (skenari), muzika, teatri, artet pamore, montazhi etj.), prandaj edhe nj\u00eb kritik i filmit duhet t\u00eb ket\u00eb njohuri t\u00eb mjaftueshme nga t\u00eb gjitha k\u00ebto fusha n\u00eb m\u00ebnyr\u00eb q\u00eb lexuesit t\u2019i ofroj\u00eb nj\u00eb gjykim q\u00eb nuk shp\u00ebrfill kriteret profesionale.<\/p>\n

Ali Salaj \u00ebsht\u00eb nd\u00ebr pioner\u00ebt e kritik\u00ebs shqiptare t\u00eb filmit n\u00eb Kosov\u00eb. Ai, megjith\u00ebse ka mbaruar studimet p\u00ebr Let\u00ebrsi dhe gjuh\u00eb shqipe, shkruan si dikush q\u00eb ka njohuri profesionale t\u00eb mjaftueshme p\u00ebr estetik\u00ebn dhe historin\u00eb e filmit. Kur shkruan ka para sysh nj\u00eb recipient jo shum\u00eb t\u00eb informuar p\u00ebr teorin\u00eb dhe historin\u00eb e filmit, prandaj n\u00eb v\u00ebshtrimet e veta ai gjithmon\u00eb nd\u00ebrfut t\u00eb dh\u00ebna interesante q\u00eb e edukojn\u00eb konsumuesin dhe i zgjerojn\u00eb njohjet e tij p\u00ebr k\u00ebt\u00eb art. Spikasin guximi dhe maturia e tij gjat\u00eb dh\u00ebnies s\u00eb gjykimit, por tipar i tij \u00ebsht\u00eb edhe q\u00eb, pa marr\u00eb para sysh entuziazmin p\u00ebr ndonj\u00eb film t\u00eb realizuar mir\u00eb, nuk e hesht ndonj\u00eb \u201cgabim naiv\u201d, natyrisht, duke pasur kujdes etik\u00ebn e fjal\u00ebs\u00a0\u00a0 dhe intonacionin q\u00eb duhet t\u00eb ket\u00eb qortimi (i argumentuar) brenda tekstit.<\/p>\n

V\u00ebshtrimet me t\u00eb cilat hapet libri trajtojn\u00eb filmat e njohur kosovar\u00eb t\u00eb viteve \u201980, t\u00eb regjisor\u00ebve Agim Sopi (Njeriu prej dheu), Isa Qosja (Proka, Rojat e mjegull\u00ebs) dhe Emin Halilit (Era e moll\u00ebs). K\u00ebta filma me vlerat dhe mesazhet e veta estetike dhe jashtestetike pat\u00ebn\u201c\u00e7uar pluhur\u201d n\u00eb opinionin jugosllav t\u00eb asaj kohe. Nj\u00eb v\u00ebshtrim tjet\u00ebr i kushtohet filmit \u201cBalada e Kurbinit\u201d t\u00eb regjisorit nga Shqip\u00ebria, Kujtim \u00c7ashku. Krahas k\u00ebtyre v\u00ebshtrimeve n\u00eb pjes\u00ebn e par\u00eb t\u00eb librit Salaj merret me filmin dokumentar n\u00eb Kosov\u00eb, me \u201cnatursh\u00e7ik\u00ebt\u201d e Kosovafilmit, me filmin n\u00eb sh\u00ebrbim t\u00eb propagand\u00ebs politike dhe me efektet e ideologjis\u00eb n\u00eb filmin shqiptar. Filmi dokumentar n\u00eb Kosov\u00eb, sipas autorit, dallon nga filmi dokumentar n\u00eb Ballkan, p\u00ebr munges\u00ebn e guximit krijues dhe p\u00ebr cenzur\u00ebn dhe autocenzur\u00ebn q\u00eb e limitojn\u00eb ndjesh\u00ebm filmin kosovar.<\/p>\n

N\u00eb pjes\u00ebn e dyt\u00eb t\u00eb librit (Sprov\u00eb p\u00ebr leximin e ekranit) p\u00ebrfshihen shkrimet p\u00ebr nga nj\u00eb film t\u00eb regjisor\u00ebve me fam\u00eb bot\u00ebrore: O. Stoun, A. Tarkovski, B. Bertolu\u00e7i, Zh. Zh. Ano, Xh. Bruks, Sh. Imamura, M. Forman, R. Doner, V. Hercog, P. Uiri, F. F. Kopola, B. Tavernier, V. Hil, Xh. Hjuston, G. Panfillov, D. Kronenberg, si dhe p\u00ebr dy filma t\u00eb Martin Skorsizit. Jan\u00eb k\u00ebto sprova t\u00eb autorit p\u00ebr t\u2019i komunikuar filmdash\u00ebsit shqiptar p\u00ebr vlerat kulmore estetike t\u00eb filmave m\u00eb prestigjoz\u00eb n\u00eb aren\u00ebn nd\u00ebrkomb\u00ebtare.<\/p>\n

Mjaft interesante jan\u00eb shkrimet e p\u00ebrfshira n\u00eb pjes\u00ebn e tret\u00eb t\u00eb librit (Realja dhe imagjinarja n\u00eb film) ku autori reflekton p\u00ebr dukuri t\u00eb ndryshme q\u00eb lidhen me filmin dhe burojn\u00eb prej tij. Si \u00e7do fillim tjet\u00ebr, edhe rruga e filmit drejt vendit q\u00eb z\u00eb sot n\u00eb kultur\u00ebn njer\u00ebzore pati v\u00ebshtir\u00ebsit\u00eb e veta. Ai u shfaq i fundit n\u00eb tregun e arteve dhe p\u00ebrve\u00e7 k\u00ebsaj varej shum\u00eb nga inovacionet teknike. Pa kaluar shum\u00eb koh\u00eb filloi ta p\u00ebrcjell\u00eb kritika e filmit, por u formua edhe shkenca q\u00eb merret me studimin e \u201cartit t\u00eb shtat\u00eb\u201d \u2013 filmologjia. Kultura shqiptare n\u00eb p\u00ebrgjith\u00ebsi, e l\u00ebre m\u00eb n\u00eb trevat e banuara me shqiptar\u00eb n\u00eb Malin e Zi, shfaq mungesa t\u00eb konsiderueshme edhe n\u00eb kritik\u00ebn e filmit (nuk mbaj mend t\u00eb kem lexuar emrin e ndonj\u00eb kritiku t\u00eb ri n\u00eb faqet e \u201cKoh\u00ebs javore\u201d p\u00ebr k\u00ebto 12 vite sa del ajo), edhe n\u00eb filmologji. I vetmi p\u00ebrjashtim q\u00eb vlen t\u00eb p\u00ebrmendet \u00ebsht\u00eb libri i Husein Bato Dukajt ( T\u00eb jetosh me dhun\u00ebn, Podgoric\u00eb 2011), i cili trajton dhun\u00ebn n\u00ebp\u00ebrmjet ekranit, por ka pika takimi me fush\u00ebn me t\u00eb cil\u00ebn \u00ebsht\u00eb marr\u00eb Salaj.<\/p>\n

Te \u201cFunksioni estetik i kultur\u00ebs filmike\u201d pasi thekson se filmi \u00ebsht\u00eb \u201csintez\u00eb e t\u00eb gjitha arteve\u201d dheapostrofonaspektin e rentabilitetitt\u00eb filmave m\u00eb t\u00eb shikuar,q\u00eb kinematografin\u00ebeshnd\u00ebrroi n\u00eb nj\u00eb industri shum\u00eb fitimprur\u00ebse dhe nj\u00ebkoh\u00ebsisht n\u00eb nj\u00eb faktor me pesh\u00eb shum\u00ebshtresore n\u00eb epok\u00ebn ton\u00eb, Salaj mendon se edukimi estetik i f\u00ebmij\u00ebve p\u00ebr filmin duhet t\u00eb filloj\u00eb q\u00eb nga bankat e shkoll\u00ebs. Sipas tij, arti kinematografik duhet t\u00eb p\u00ebrfshihet si l\u00ebnd\u00eb e ve\u00e7ant\u00eb m\u00ebsimore, krahas l\u00ebnd\u00ebve (arteve) tradicionale: artit figurativ, edukat\u00ebs muzikore, gjuh\u00ebs dhe let\u00ebrsis\u00eb. K\u00ebt\u00eb ide ai e hodhi n\u00eb mesin e viteve \u201990 t\u00eb shekullit t\u00eb kaluar, por n\u00eb k\u00ebt\u00eb drejtim nuk \u00ebsht\u00eb b\u00ebr\u00eb shum\u00eb as pothuaj nj\u00ebzet vite m\u00eb von\u00eb. Gjithashtu, n\u00eb koh\u00ebn kur u shkrua ky lib\u00ebr ndihej mungesa e periodikut (shtypit) t\u00eb specializuar, ekskluzivisht p\u00ebr filmin. Sot, ndoshta,disa gj\u00ebra, sidomos n\u00eb Tiran\u00eb dhe Prishtin\u00eb, kan\u00eb ecur p\u00ebrpara, por akoma jo n\u00eb mas\u00ebn e nevojshme.<\/p>\n

N\u00eb pjes\u00ebn e kat\u00ebrt dhe t\u00eb fundit (Portrete kineast\u00ebsh) autori i ofron lexuesit disa t\u00eb dh\u00ebna me interes p\u00ebr jet\u00ebn dhe veprimtarin\u00eb e kat\u00ebr personaliteteve t\u00eb dalluar t\u00eb k\u00ebsaj fushe (Milton Manaki, Gjon Belushi, Sergej M. Ejzenshtajn dhe Xhon Kasavetis).<\/p>\n

Autori, qoft\u00eb edhe me nj\u00eb lib\u00ebr t\u00eb realizuar n\u00eb p\u00ebrputhje me standardet bazike profesionale t\u00eb t\u00eb shkruarit n\u00eb fush\u00ebn p\u00ebrkat\u00ebse nuk mund ta mbuloj\u00eb krejt zbraz\u00ebtin\u00eb q\u00eb ekziston akoma n\u00eb kultur\u00ebn shqiptare sa i p\u00ebrket shkrimeve kritike\/diskursive p\u00ebr filmin , por mund t\u2019i ngacmoj\u00eb t\u00eb tjer\u00ebt t\u00eb ndjekin gjurmat e tij dhe ta mprehin m\u00eb tej pen\u00ebn e vet si n\u00eb vokabularin e specializuar ashtu edhe n\u00eb p\u00ebrsosjen profesionale t\u00eb gjykimeve t\u00eb q\u00ebndrueshme, gjithmon\u00eb n\u00eb pajtim me normat etike q\u00eb duhet t\u00eb respektohen gjat\u00eb dh\u00ebnies s\u00eb nj\u00eb opinioni publik. Libri \u201cN\u00eb mbret\u00ebrin\u00eb e imazheve\u201d \u00ebsht\u00eb sa nj\u00eb trajtim p\u00ebrmes shosh\u00ebs s\u00eb kritikut, po aq edhe kontribut p\u00ebr zhvillimin (n\u00eb kuptimin edukativ) e shijeve estetike dhe etike t\u00eb reciepientit(konsumuesit) t\u00eb artit kinematografik, brenda komunitetit n\u00eb gjuh\u00ebn e t\u00eb cilit \u00ebsht\u00eb shkruar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edukim i recipientit p\u00ebrmes shosh\u00ebs s\u00eb kritikut (Ali Salaj, N\u00eb mbret\u00ebrin\u00eb e imazheve, Art Club, Ulqin 1996) \u00a0 Ali Salaj \u00ebsht\u00eb nd\u00ebr pioner\u00ebt e kritik\u00ebs shqiptare t\u00eb filmit n\u00eb Kosov\u00eb. Ai, megjith\u00ebse ka mbaruar studimet p\u00ebr Let\u00ebrsi dhe gjuh\u00eb shqipe, shkruan si dikush q\u00eb ka njohuri profesionale t\u00eb mjaftueshme p\u00ebr estetik\u00ebn dhe historin\u00eb e filmit. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[4,1],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\nSalaj: V\u00ebshtrim p\u00ebr nj\u00eb lib\u00ebr q\u00eb merret me kinematografin\u00eb - Lajme nga Ulqini<\/title>\n<meta name=\"description\" content=\"Edukim i recipientit p\u00ebrmes shosh\u00ebs s\u00eb kritikut (Ali Salaj, N\u00eb mbret\u00ebrin\u00eb e imazheve, Art Club, Ulqin 1996) \u00a0 Ali Salaj \u00ebsht\u00eb nd\u00ebr pioner\u00ebt e kritik\u00ebs\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.visit-ulcinj.com\/blog\/2014\/08\/30\/salaj-veshtrim-per-nje-liber-qe-merret-kinematografine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salaj: V\u00ebshtrim p\u00ebr nj\u00eb lib\u00ebr q\u00eb merret me kinematografin\u00eb - 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